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| 1 |
Fugue |
| 2 |
Mysterioso |
| 3 |
Dynamic
Acitivation |
| 4 |
The
Galleon |
| 5 |
Desolation |
| 6 |
Anecdote |
| 7 |
Stress
& Strain |
| 8 |
Spectacular |
| 9 |
Palaver |
| 10 |
Majestic
Interlude |
| 11 |
Gyroscope |
| 12 |
Tragic |
| 13 |
Travelogue |
| 14 |
Agile |
| 15 |
Convention |
| 16 |
General
Alarm |
| 17 |
Vista
Vision |
| 18 |
Harangue |
| 19 |
Short
Cake |
| 20 |
Aggression |
| 21 |
Seventeen
Chords |
| 22 |
Quiet
Contemplation |
| 23 |
The
Grand Tour |
| 24 |
Generators |
| 25 |
Solemn
Dignity |
| 26 |
Appetizer |
| 27 |
Bird's
Eye View |
| 28 |
Stroboscope |
| 29 |
Just
A Trifle |
| 30 |
Changing
Cities |
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Film
Production Music by Heinz Herschmann
Various Orchestra / Artists including London Symphony Orchestra
(ASCD205)
It
will not come as a surprise to learn that Heinz Herschmann is a firm adherent
of tonality and traditional formal structures and believes in the gradual
evolution of the musical vocabulary.
The composer has written a great deal of library and film music combining
artistic integrity with the requirements of the commission. The idea of
writing to order and/or for special occasions and purposes has always
held a special attraction to him, and some of his most successful pieces
were written to order. "The Galleon", requested by Boosy &
Hawkes as background music for films and television programmes with a
maritime content, was a great success in the fifties and sixties, and
was followed by other compositions with different programmatic ideas such
as "Majestic Interlude", "Solemn Dignity", "Palaver",
Anecdote" etc.
(75.26)
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